“A free-verse poem, unrhymed, in the style of John Ashbury's early poems in "The Double Dream Of Spring"”
There is a kind of corridor beneath the doors
where spring leans with its questionable brightness—
half in profile, the other half waiting
behind a scrim of afternoon.
Light jostles with angles;
I move, uneasy with my own hands,
their pockets of speculation, their inability to form
a seamless impression.
From the window,
someone else’s sun—indifferent, solid—
is pressed into a memory not mine,
yet sticking, as a fly on the inside of glass.
How long do we walk parallel to our intentions,
a little slowed by pollen or thought?
Shadows are always the wrong size:
bigger at noon, a sliver by evening,
sometimes not ours at all.
Between the books of yesterday
(a kind of handsome disorder), I imagined—
No: I realized—
there was an impulse for raspberries,
for the unheard birds mapping a version of silence
outside the deliberate hum of streetwork.
It was not the story I planned—
how could it have been?
Words arrive like small accidents,
tidying up the corners and never the middle.
At last, the corridor resolves into a room,
light spilling in on the wrong side of things,
a rumor of April
folded into the shape of your absence.
And I remember:
the best dreams scatter—scented, difficult—
pulling us past the window,
neither arrived nor departed,
the hush between
two possible springs.
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